It still baffles me that Public Enemy got away with trying to sue Madonna & Kravitz for the infamous drum sample when they clearly sampled it themselves, like they did on many other of their tracks, and like so many hip-hop and even pop artists were doing with funk drum loops ever since Eric B & Rakim took it mainstream in 1987. Kravitz was right - it's one of those beats you find on the floor because it's been sampled to death in various forms. Devastatingly effective when used right though. Probably my favourite use of it - followed by George's "Waiting For That Day".