Glasgow got Mike Ruiz. Well, he was Tracy Young's lap-dog in the audience after a thumping DJ session of playing her faves from her CD wallet (had no idea she would be rocking the decks like a derranged Hazell Dean - it was quite something).
Cyndi getting to be Cyndi on a level that truly did her legacy justice (and then some) was really breathtaking in places. I'll never forget I Drove All Night revving up - with the video projected onto her like it is in the actual video, it was a realm of Cyndi fan fantasia I didn't want to leave.
@Kate, what was the song she left out? If you're meaning All Through The Night, sadly that's not likely to be back as she's struggled to adapt it to her current range.
Speaking of though. Her voice was fantastic when we seen her - she fluffed one of the lines in I Drove All Night actually, and Gloria Estefans' daughter may have made a mistake somewhere too (Cyndi asked her if she got a scare, and clearly loves her, bless). Thankfully there was nothing I could fault her on. She truly went there on both Money and Change of Heart - I was in awe.
Sally's Pigeons I was previously over with, or so I thought. She was done up in a way that made me think we were actually going to get The World Is Stone. It was absolutely gorgeous though. However, it came at a period in the set where she was taking a hell of a long time to share stories (to my susprise the crowd really lapped this up), so after a long spiel about 1950s music ... we get Funnel of Love. She could have done a Blue Angel song like I Had A Love and perfectly evoked the era she was
funnelling channelling. Shock horror, IKO IKO was the other that didn't quite keep the momentum going. However, how amazing was it to still see William Wittman (who I still think looks fantastic on stage)? We were beside some knowledgeable fans so little moments getting big applauses was so special. The Madamme LuPone backing singer was also a hoot.
The hits simply soared. Could not believe Shine though. It was so special, this song that delivers one of the biggest lump-in-throat moments from her ("and time, it won't let me let you let me waste it - this time"). 16 year old me dancing to that song in my room dancing to it an erena in awe of her here was not something I thought I'd ever experience.
Maybe because of the extended dulcimer years, but Time After Time in its orginal arrangement was the unequivocal reminder of this woman's pop culture impact, with True Colours and Girls completing the never to be duplicated trail.
Oh, and Fearless acapella was further proof of THE VOICE > I woke up with it in my head the next morning. So proud of her and hope it gets a release and screening.